Breaking Dawn (The Twilight Saga Book 4) (Kindle Edition)
Product Details
- Format: Kindle Edition
- File Size: 826 KB
- Print Length: 768 pages
- Publisher: Little, Brown Young Readers (August 3, 2008)
- Sold by: Amazon Digital Services
- Language: English
- ASIN: B0015DYIH2
- Average Customer Review:
(3,543 customer reviews)
- Amazon.com Sales Rank: #1 in Kindle Store (See Bestsellers in Kindle Store)
See all 3,543 customer reviews...
Editorial Reviews
Amazon.com ReviewGreat love stories thrive on sacrifice. Throughout The Twilight Saga (Twilight, New Moon, and Eclipse), Stephenie Meyer has emulated great love stories--Romeo and Juliet, Wuthering Heights--with the fated, yet perpetually doomed love of Bella (the human girl) and Edward (the vampire who feeds on animals instead of humans). In Breaking Dawn, the fourth and final installment in the series, Bella’s story plays out in some unexpected ways. The ongoing conflicts that made this series so compelling--a human girl in love with a vampire, a werewolf in love with a human girl, the generations-long feud between werewolves and vampires--resolve pretty quickly, apparently so that Meyer could focus on Bella’s latest opportunity for self-sacrifice: giving her life for someone she loves even more than Edward. How close she comes to actually making that sacrifice is questionable, which is a big shift from the earlier books. Even though you knew Bella would make it through somehow, the threats to her life, and to her relationship with Edward, had previously always felt real. It’s as if Meyer was afraid of hurting her characters too much, which is unfortunate, because the pain Bella suffered at losing Edward in New Moon, and the pain Jacob suffered at losing Bella again and again, are the fire and the heart that drive the whole series. Diehard fans will stick with Bella, Edward, and Jacob for as many twists and turns as possible, but after most of the characters get what they want with little sacrifice, some readers may have a harder time caring what happens next. (Ages 12 and up) --Heidi Broadhead
From Publishers Weekly
It might seem redundant to dismiss the fourth and final Twilight novel as escapist fantasy--but how else could anyone look at a romance about an ordinary, even clumsy teenager torn between a vampire and a werewolf, both of whom are willing to sacrifice their happiness for hers? Flaws and all, however, Meyer's first three novels touched on something powerful in their weird refraction of our culture's paradoxical messages about sex and sexuality. The conclusion is much thinner, despite its interminable length. [...] But that's not the main problem. Essentially, everyone gets everything they want, even if their desires necessitate an about-face in characterization or the messy introduction of some back story. Nobody has to renounce anything or suffer more than temporarily--in other words, grandeur is out. This isn't about happy endings; it's about gratification. A sign of the times? Ages 12–up. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Product Description
Twilight tempted the imagination. New Moon made readers thirsty for more. Eclipse turned the saga into a worldwide phenomenon. And now, the book that everyone has been waiting for.... Breaking Dawn, the final book in the #1 bestselling Twilight Saga, will take your breath away.
About the Author
Stephenie Meyer graduated from Brigham Young University with a degree in English Literature, and she lives with her husband and three young sons in Arizona. Stephenie is the author of Twilight,New Moon, and Eclipse.
From AudioFile
This final novel in Meyer's popular teen vampire series is sure to satisfy fans, even with its somewhat fizzled-out ending. Unfortunately, narrators Ilyana Kadushin and Matt Walters do little to enhance the tension, romance, and excitement of the plot. Kadushin's voice is lovely to listen to when she reads Bella's sections, but she adds little inflection or vocal variation among speakers, resulting in whole sections where the listener is unable to identify which character is talking. Walters's performance is certainly more varied and more effective, but his characterization of Jacob's narration sounds contrived���a caricature of what an angsty teenage werewolf "should" sound like���gruff, angry, and loud. One wonders if the all the hype surrounding Meyer's series encouraged a rushed job on this audiobook. A.A. © AudioFile 2008, Portland, Maine
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